Walt Kowalski, a widower, is initially reluctant to let Thao steal his pride and joy, but eventually develops paternal feelings towards him. Thao helps Walt find a job and gives him dating tips, embodying his feelings of guilt. As atonement, Walt agrees to let Thao do chores for him, and Walt begins to feel comfortable with the boy and his sister Sue.
Despite Walt’s abusive language, he tries to convince Thao that the girl he has been looking at likes him too. However, Walt berates Thao, and as a lawyer reads Walt’s will to his estranged family, it is revealed that Walt amended his will to leave his Gran Torino to Thao. In his characteristically racist, abusive language, Walt attempts to goad Walt into admitting his love for Thao, which Walt’s masculinity prevents him from conceding.
The Hmong neighbors, grateful for Walt’s help, press unwanted gifts on Thao and insist on doing chores. Inspired by the women, Walt assigns Thao assorted chores and yardwork, and their relationship evolves as expected. The fatherless boy comes to revere his car, which symbolizes Walt’s change from a racist old man to a friend of his Asian neighbors.
In Gran Torino, Walt Kowalski is a widower who holds onto his prejudices despite changes in his Michigan neighborhood and the world. Cultural tradition dictates that Thao must make up for the transgression by working for Walt for free. Thao’s mother asks Walt to accept Thao’s help in doing chores around his house, leading to an odd friendship. As Walt gets older, Tau does odd jobs around his house and fixes up the house opposite him.
Thao’s sister Sue brings her awkward brother over to apologize, offering his services to make amends by helping him with chores. Over time, Thao becomes more withdrawn and does “womanly” chores, such as washing dishes and working.
📹 tao works for walt.wmv
Why does Walt lock Thao in the basement?
Walt prepares for his funeral by buying a suit, getting a haircut, and confessing to Father Janovich. When Thao returns, Walt takes him to his basement and locks him in his basement, revealing he has been haunted by the memory of killing an enemy soldier. He then goes to the house of the gang members, where they draw their weapons on him. Walt talks loudly, berating them, and provocatively pulls his hand out as if it were a gun, inciting them to shoot and kill him.
As he falls to the ground, his hand opens to reveal an army lighter, revealing he was unarmed. Sue frees Thao and they drive to the scene in Walt’s Gran Torino. A Hmong police officer informs them the gang will be arrested for murder and imprisoned for a long time. Walt’s funeral Mass is celebrated by Father Janovich, attended by his family and the Hmong community. His last will and testament is read, and to the surprise of his family, Walt leaves nothing: his house goes to the church and his cherished Gran Torino to Thao, provided he doesn’t modify it.
What does Walt call Thao in Gran Torino?
Thao Vang Lor, a 15-year-old Hmong American boy, is coerced by a Hmong gang to steal Walt Kowalski’s Gran Torino. He is expected to be the man of the house but lacks direction and initially does chores at the direction of his sister Sue. Thao is coerced into joining the Hmong gang by his gangster cousins. After clumsily attempting to steal Walt’s car as part of his forced gang initiation, he returns home instead of fleeing with the gang.
After confessing the attempted crime to his family, Thao’s mother and sister bring him to Walt to apologize and make amends to the community as Walt’s servant. Through Walt, he learns how to do construction work and labor, and how to act like a man, even getting help in his romantic pursuit of Youa. Initially perceived as a coward by Walt, their growing relationship gradually changes the older man’s impression of Thao, with Walt ultimately entrusting the Ford Gran Torino to Thao.
Tania Modleski, author of “Clint Eastwood and Male Weepies”, describes Thao as “pacific by nature” and “weak-willed”. Louisa Schein and Va-Megn Thoj, authors of “Beyond Gran Torino’s Guns: Hmong Cultural Warriors Performing Genders”, said that when Walt masculinizes Thao, he liberates him from the effeminacy imposed on him by his domineering mother and sister.
Vang, who is 5 feet 5 inches (1. 65 m) tall, is chosen for the role due to his innocent looks and slight build. He believes that while he has the same culture as Thao, he does not experience violent incidents like Thao did.
How old is Thao in Gran Torino?
Thao Vang Lor, a 15-year-old Hmong American boy, is coerced by a Hmong gang to steal Walt Kowalski’s Gran Torino. He is expected to be the man of the house but lacks direction and initially does chores at the direction of his sister Sue. Thao is coerced into joining the Hmong gang by his gangster cousins. After clumsily attempting to steal Walt’s car as part of his forced gang initiation, he returns home instead of fleeing with the gang.
After confessing the attempted crime to his family, Thao’s mother and sister bring him to Walt to apologize and make amends to the community as Walt’s servant. Through Walt, he learns how to do construction work and labor, and how to act like a man, even getting help in his romantic pursuit of Youa. Initially perceived as a coward by Walt, their growing relationship gradually changes the older man’s impression of Thao, with Walt ultimately entrusting the Ford Gran Torino to Thao.
Tania Modleski, author of “Clint Eastwood and Male Weepies”, describes Thao as “pacific by nature” and “weak-willed”. Louisa Schein and Va-Megn Thoj, authors of “Beyond Gran Torino’s Guns: Hmong Cultural Warriors Performing Genders”, said that when Walt masculinizes Thao, he liberates him from the effeminacy imposed on him by his domineering mother and sister.
Vang, who is 5 feet 5 inches (1. 65 m) tall, is chosen for the role due to his innocent looks and slight build. He believes that while he has the same culture as Thao, he does not experience violent incidents like Thao did.
Why is Walt a villain?
In Breaking Bad, Walter White is a man who lies to himself to justify his violence, often despite claiming it is for his family. He lies to his wife, Skyler, about his cancer treatment, claiming his former business partners, the Schwartzes, are paying for it. This lies is driven by his ego and desire for power, rather than genuine concern for his family’s well-being. The defining relationship of the show is between Walt and his former student-turned-partner in crime, Jesse Pinkman. As the series progresses, Walt makes increasingly alienating decisions, eventually betraying him entirely. Despite his initial efforts to look out for Jesse, their relationship is based on blackmail.
What is the moral of the story Gran Torino?
Gran Torino is a film that initially presents itself as morally enlightened, focusing on sacrifice and Christ’s sacrifice. It demonstrates the importance of hard work, steady character, and helping neighbors, making it appealing to a Christian audience. The film takes its characters on a journey of moral enlightenment, highlighting Walt’s moral growth as he learns to understand another culture and value their family structure, food, and learning ability. It also brings light to the confused situation of diverse values, suggesting that fundamental values do not have to change and that the way things used to be is still valid and valued.
The film also affirms a worldview that sees sin in everyone but offers hope of redemption through giving and sacrificing for others. However, it offers little hope of reconciliation for Walt’s family and does not value it as important. Walt adopts his new family and gives his Gran Torino to Thao, confirming it.
The film also shows that violence is the quick and easy solution to Thao and Sue’s problems, bypassing any hope from the church. This sends ambivalent lukewarm messages about the church as a place of hope and light.
Did Walt ever really find peace towards the end of his life in Gran Torino?
Walt Lee Younger, a character in Lorraine Hansberry’s A Raisin In The Sun, initially exhibited a grumpy, intolerant attitude, but eventually transformed into a more forgiving, calm, and peaceful person. He was good at his job and performing well, but corruption, looting from company accounts, and customers’ dissatisfaction with rules led him to consider committing a crime.
Walt’s journey from a selfish jerk obsessed with get-rich-quick schemes to a man worthy of respect is a testament to the power of personal determination and staying true to one’s beliefs. Hansberry’s portrayal of poverty and racism in the film highlights the negative effects of these social barriers on individuals, highlighting the importance of personal determination and staying true to one’s beliefs.
In conclusion, Walt Lee Younger’s transformation from a grumpy, intolerant, and selfish individual to a more forgiving, calm, and peaceful person is a testament to the power of personal determination and staying true to one’s beliefs.
Did Walt ever really find peace towards the end of his life Gran Torino?
Walt Lee Younger, a character in Lorraine Hansberry’s A Raisin In The Sun, initially exhibited a grumpy, intolerant attitude, but eventually transformed into a more forgiving, calm, and peaceful person. He was good at his job and performing well, but corruption, looting from company accounts, and customers’ dissatisfaction with rules led him to consider committing a crime.
Walt’s journey from a selfish jerk obsessed with get-rich-quick schemes to a man worthy of respect is a testament to the power of personal determination and staying true to one’s beliefs. Hansberry’s portrayal of poverty and racism in the film highlights the negative effects of these social barriers on individuals, highlighting the importance of personal determination and staying true to one’s beliefs.
In conclusion, Walt Lee Younger’s transformation from a grumpy, intolerant, and selfish individual to a more forgiving, calm, and peaceful person is a testament to the power of personal determination and staying true to one’s beliefs.
Why didn t Walter save the girl?
In the story, Walt returns to Jesse’s home after a bar conversation about family with Jane’s father, unaware of his relation to Jane. Jane overdoses on her vomit, and Walt decides not to wake Jesse up, fearing her death would help him gain control over Jesse and protect his criminal secrets. After Jane dies, Jesse finds her lifeless body and calls Walt for help. Walt instructs Jesse to calm down and contacts Saul Goodman. Mike Ehrmantraut cleans the scene and helps Jesse prepare for the police. Jane’s body is taken away, and her voicemail is frequently heard by Jesse.
Jane’s death leads to the Wayfarer 515 disaster, where her father, an air traffic controller, sends wrong directions and accidentally fails to stop two aircraft from crashing into each other due to his distraction and grief over her death. The crash kills a total of 167 people.
Do Vic and Walt have a relationship?
Walt and Vic’s relationship in Longmire is largely due to the characters’ origins in the original Craig Johnson-penned novels. The relationship ignites in the third book, Kindness Goes Unpunished, after Vic’s divorce and Walt’s previous romance ended tragically in the first book, The Cold Dish. The two continue their relationship, even conceiving a child, though Vic miscarries after being stabbed by Walt’s nemesis, Tomás Bidarte, in A Serpant’s Tooth.
The novels handle the relationship better than the television series, providing a straightforwardness that makes readers root for them. The books allow the romance to breathe, with Walt initially uncertain about handling Vic, while Vic initiates sexual or romantic encounters. Johnson praised the books for not fully replicating the genuine chemistry between the characters, which was not fully replicated on the screen.
Longmire, as a network procedural format, did not have to put Walt and Vic together, which felt overly forced on screen. By the time the show committed to the Walt/Vic romance, it felt more like fan service than a carefully crafted ending. However, Longmire could rectify this issue if it were revived later, with updates on their relationship status and age gap.
What was the point of Gran Torino?
Gran Torino is a small, local film with a small budget and starring Mr. Eastwood. The hero, Walt, helps his neighbor and finds faith to save his soul. This may be the salvation needed in a troubled and confused age. The Imaginative Conservative applies the principle of appreciation to culture and politics, focusing on magnanimity rather than civility. To help maintain a refreshing oasis in modern discourse, consider donating.
Is Walt a role model for Thao?
Sue discloses to Walt that Thao, a man who has been deprived of paternal guidance, is experiencing a sense of uncertainty regarding his future and is seeking a positive male role model. She expresses gratitude to Walt for his guidance and underscores the necessity of emulating him in order to gain insight and guidance, given the absence of tangible role models in his life.
📹 5 Facts about Walt Disney
With a life and history as impressive as Walt Disney’s, it was a challenge to pick just five facts about the man who created Mickey …
This movie reminds of an older guy I met. I was a high school dropout and looking for any type of work. I knew nothing about construction or anything. The guy taught me how to paint, roof, and even minor maintenance jobs, but he also taught me the harsh realities of life. He pushed me to go back to school and work in the real world. So thankful for that gentleman. He has passed away long ago, but his lessons of life still remain in my mind
One day I told my dad I was going to quit school due to being bullied and I thought it was stupid. The next morning he called into school saying that I would be out that day. He then took me to work with him building pole barns and I knew something was different he didn’t converse with me like he normally would but as an employer. He worked me so hard in the Oklahoma sun that he had to help me back to the truck at the end of the day. He asked me one question ” was I still going to quit school?” I told him “no” he said that is how hard I have to work everyday to earn a living.
That is a nice observation. That is a secondary, less important, aspect of Walts redemption. The real moral transgression he committed, for which he never forgave himself, nor sought forgiveness from others like the priest, which embittered him throughout life, was the shooting of the “poor kid who just wanted to surrender” in Korea. He mentions that it tainted his soul and he thought of it everyday. Tao is that boy to Walt. He becomes his father and sacrifices his life for him.
Brilliant scene. One of the last movies of our time where the men are allowed to be men and boys are taught how to be a real man with values. This isn’t sexist or suggesting women cannot do hard work, it’s just a sad reflection compared to today’s society where its almost men are no longer allowed to be men. Value hard work and value what you get from doing it right.
I spent much of my childhood working in the yard cutting and stacking firewood and just regular chores. A lot of the time I didn’t get to go do the “kid” things I wanted to. I hated it and didn’t understand it as a child. My dad wasn’t the warmest person to me as a kid but I knew he loved me in his own way. He showed that in how hard he worked for our family at home and at his job. There wasn’t a day I can remember where he wasn’t getting all grimy and sweaty out in our pretty large yard working on whatever project needed it at the time. I didn’t understand just how much work went into keeping a large yard up to snuff and not letting it get overgrown. He has told me he regrets a lot of how hard he was on us back in those days. He says he wishes he were more loving. I told him that we always knew anyway. Some people show it in different ways. Some people it comes easily and some it does not. Looking back, I don’t regret having to miss out on playing and being with my friends sometimes. It made me tougher and taught me how to cut and process wood and the value of hard work in general. I have been amazed finding out just how many guys don’t know how to use a saw or an ax properly. Whenever we go camping I actually look forward to finding nice wood (like cedar!) and processing it for nighttime around the campfire. My kids are also excited when I cut into some wood and they can smell the freshly cut wood. Life is kind of funny sometimes huh?
Self-proclaimed Iwerks-Disney Historian here!! 🙂 I will add to the fun facts that were in this article. 1) Walt Disney’s ambo partner was Ray Kroc, the same man who is known for taking over the McDonald’s industry (watch The Founder ), also they both lied about their age to enter the army. 2) Laugh-o-Grams was NOT Walt’s first company, his first company was the Iwwerks-Disney Studio in Kansas City! 3)Oswald was made with Ub Iwerks! And after Laugh-o-Grams, Walt never personally animated again, he was busy directing instead. 4) Steamboat Willie was NOT the first Mickey Mouse cartoon, it was Plane Crazy (which failed since it was completely silent), and both were animated by Ub Iwerks each within 2 weeks (That’s 750 frames a day, yikes) 5)Walt liked hotdogs (no surprise, he also liked pizza but he could eat a hotdog within 10 steps) 6)Tickets to Disneyland used to cost One Dollar. Note: Normally, I like roasting Walt, but credit is where credit goes, a lot of teamwork was put into his dreams. Starting with his brother Roy O. Disney, Ub Iwerks, Lillian Disney and later his own daughter Diane Disney Miller. And his Imagineering team!